Archive for the ‘exterior paint problems’ Category

Cautionary Tale on Lead Issues with Exterior Painting Projects

Tuesday, November 2nd, 2010

You may have heard there is an EPA Lead Rule out there. Well here is an article about what can happen if you hire a contractor without the proper credentials…

Be an informed consumer. The second page of our Daly’s Reference List is an info sheet called Tips for Choosing a Painter, you are welcome to use it as your starting point for going through the bid process and finding the right painter.

And… even though summer is now behind us, it’s not too early to get your painter lined up for next season! This summer was a weather-bust, so some jobs have been pushed forward to next summer – so get in line now! :)

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Is There Such a Thing As One-Coat Coverage with Paint?

Wednesday, January 7th, 2009

I had a conversation the other day with a customer who had expected the paint he had purchased to cover his walls in one coat. His frustration and disappointment got me to wondering: is there really such thing as one-coat coverage?

Here at the store, we generally steer people from this concept. The quick answer is that while one coat may ‘look’ like it covers, that second coat is where the magic happens. The second coat gives you a thicker film build, which means you have more of that color for the light to reflect from.

But I wanted to dig a little deeper. So I contacted Tom Hill, president of C2 Paint and general paint chemist wonk, and asked him for some more clarification. Here is his input:


One Coat Hiding in Paint

To try and simplify this, hiding in paint is determined primarily by refractive index and absorption properties of the pigments used in the paint formulation.

Light passing through a media is refracted (bent) depending on the
refractive index of the specific media. The refractive index of air is
1.0008. Light is essentially not bent in air. The refractive index
of titanium dioxide is 2.7. The only material with a higher refractive
index than titanium dioxide is diamond. A pigment with a higher refractive
index hides better than a pigment with a lower refractive index. The
refractive index of bright yellow colorant is 1.4 and thus a color made from
primarily bright yellow colorant and zero titanium dioxide does not hide very
well.

We use Titanium Dioxide as the prime hiding pigment in paints because
it has the highest refractive index of the pigments available for use to produce
a white color. However, there is a practical limit to the amount of TiO2
one can use in a gallon of paint. Increasing the amount of TiO2 beyond
this practical limit actually reduces the total hiding of the paint.

At this practical limit…with reasonable volume solids, PVC and dry film
thickness…we expect hiding to be at a minimum of 98% but less than 100%.
The definition of one coat hiding in the paint industry is 98% coverage over a
black and white contrast ratio chart. To increase the hiding of a white
base from 98% to 100% we must add a color pigment that absorbs light as well as
refracts light. The pigments that do this are black, yellow oxide, red
oxide, burnt umber, etc. Once there is a sufficient loading of these
pigments plus white true one coat hiding can be achieved. The colors are
all muted and earth tones but they will cover in one coat.

An interesting side note is that adding bright yellow or bright red to
a white base will reduce the hiding of that base. These pigments do not
absorb light and their refractive index in significantly less than TiO2 (1.4
versus 2.7). The blend of these two pigments yields a refractive index
that is less than that of the untinted base and thus poorer in hiding.

Conclusion, in normally formulated paints (i.e. proper PVC…volume
solids…and film build), one coat hiding is not possible to achieve unless the
paint is tinted with a light adsorbing pigment.


I hope that clears it up!

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Again, It’s Time To Stop Exterior Painting Projects!

Monday, October 22nd, 2007

One of the great things about this digital communication format is that I can see how people have found this blog – one of the main searches of late has been Exterior Painting. So I KNOW there are a lot of folks out there wondering if they can squeeze one last exterior painting project in under the wire…

Folks, if you live in the Pacific Northwest, it is time to put your brushes down for the season. Really.

Why? Well, unless there is a terrible storm your paint won’t melt off (although that would look very interesting) – but the weather is too risky to predict a long enough dry patch to ensure that you will have the optimum result for your efforts.

Paint contains a lot of moisture, and if it is overcast, misty, drizzly (or any of the other descriptive words we use for rain), the moisture in the air hampers the ability for the moisture to evaporate from the paint and it will be sloooooooow going until the paint film is truly dry.

And if you have a high level of moisture on the surface to be painted, even worse. Trust me, this happened at my house and we had to have a whole side repainted in just a few short years due to moisture. This Paint Princess knows of what she speaks!

Paint may dry to the touch in a few hours, but it is not dry all the way through for quite a while afterwards – we call this the cure time. Cooler temperatures and moisture inhibit this cure process. So don’t paint outside anymore (unless you really have too!) (And I understand this happens to the best of us!).

Instead, let’s chat about some lovely interior color trends and turn our attention inside for a while…

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